Tag Archives: PA DeVoe

Women’s Work in Imperial China, Women Shaman, wu-po

Shamanism has a long, respected history in China. The word wu 巫 , interpreted as shaman, was first found inscribed on oracle bones dating from the Shang Dynasty (1554-1046 BCE).  A shaman is a spirit-intermediary or a spirit median. This term referred to either a male or female practitioner until by the late Zhou Dynasty (4th to 3rd centuries BCE) when it often meant women practitioners, not males (the latter were referred to as  xi 覡). A female shaman was also called wu-po 巫婆

During this early period shaman were valued, well-regarded, both females and males. However, by the Imperial Period there was a distinct change. Confucianism became the founding principal for the country’s rulers and the bureaucracy—based on meritocracy—needed to run the government. To become a government official, a man had to pass a series of examinations largely based on Confucianist texts. There was no place for spirit-intermediaries and their philosophies or rituals in this changed world view.

By the Ming Dynasty, the wu-po was much maligned by the state and considered a disreputable person. In many parts of the country being a granny-shaman was illegal. Nevertheless, throughout the country, especially in rural villages and towns, she was still needed by women without resources, for either their physical or psychological health.

Although considered charlatans by the government, the wu-po did not use their powers to become rich. They were typically very poor women themselves. To be a true wu-po the woman could not simply train under another shaman, she had to be called by a spirit. And she could not turn the spirit down. Once called, she had to capitulate. Another wu-po could guide her in her new journey as a shaman, but only after she’d been chosen by a spirit to be a median.

When sought out to solve a problem, the wu-po would seek her spirits’ advice or would exorcise evil spirits through a series of rituals. The rituals involved may involving beating a drum or cymbal and by dancing until the median goes into a trance and becomes a vessel for her particular spirit. If a woman’s illness was due to a malignant spirit, and an exorcism was needed, the median’s spirit could be called upon to force the evil spirit out.

So, it seems these women shaman lived between two worlds in Imperial China: despised by officialdom and condemned for their work and, at the same time, needed and respected by their women clients, who were often poor and underprivileged.

References:

*” Shamanism Theory and the Early Chinese Wu.” Thomas Michael. JSTOR Journal of the American Academy of Religion. Vol. 83, No.3 (Sept 2015), pp.649-696. Oxford University Press.

** “Wu (shaman)” Wikipedia, the free encyclopedia April 16th 2024.

***Dangerous Women. Victoria Cass. 1999, Rowman & Littlefield Publishers, Inc. Boulder.

WOMEN’S WORK IN IMPERIAL CHINA, the physician granny

Undoubtedly the most well-known female doctor in China’s long history is Tan Yunxian (1461-1556) of the Ming Dynasty (1368-1644).  It’s not that there were no other noteworthy female doctors; it’s just that there are very few detailed records of their lives and their work. Lorraine Wilcox with Yue Lu opened up the window into her life and work by translating Tan Yunxian’s book, Miscellaneous Records of a Female Doctor, into English. Today there are many movies and stories written about Tan Yunxian.

TV drama, 50 Episodes. Directed by Li Guoli, Zheng Weiwen and Lu Zeliang. Tan Yunxian is played by Liu Shi Shi (AKA Cecelia Liu)

Although movies may make up parts to add excitement/tension to the story, because of this book, we have factual information about her and her family—she came from a medical family and was trained by her accomplished grandmother. Much of her medical prowess was based on well-established medical texts, but she also developed some of her own treatments. My character, Xiang-hua, in the A Ming Dynasty Mystery series (Deadly Relations, No Way to Die,and Justice Delayed, Justice Denied) is modeled on her life.

Because of China’s social conventions demanding varying degrees of separation between men and women—including male doctors and their female patients—female doctors were needed to treat women. A male doctor was limited in how much he could examine, touch, his female patient.  Usually, and only under appropriate circumstances, he could take her pulse to determine her illness and prescribe medicine. A female doctor could examine her patient more directly and more completely. She could also give a wider range of treatments, some involving touching the patient.

Of the other female doctors we know about, most are written about because they served in the imperial palace taking care of the emperor’s women. For example, in the Western Han Dynasty (206 BCE-9 CE), Yi Shuo (AKA Yi Xu) from Shan Xi province is known to have been a valuable and trusted female doctor because of her treating the empress dowager.*

Some were also noted because they worked with their husbands. Bao Gu of the Jin Dynasty (265-420 CE), who traveled with her highly acclaimed husband throughout Guangdong, was also so well-known and so famous, people called her the “Immortal Lady Bao.”

One female doctor, Wei Hua Cun (?252-334 AD) seems to be an exceptional case. She came from a literati family; her father was a court official. After marrying and having two children, she separated from her husband and apparently lived alone, practicing medicine for the rest of her life.

As important as female doctors were to their women patients, however, they were often roundly criticized by well-educated male doctors and other Confucianists as incompetent charlatans that should only have limited access to their families’ women. As with the other grannies, this distrust arose out of the lack of control men had over these relatively independent women. Nevertheless, in spite of this, female doctors were ultimately allowed into the homes because they were medical experts and served an important function—caring for sick women and children.

* NOTE: Information for this blog was taken from: Women Practitioners in Ancient China” bartleby.com; “Female Doctors in Ancient China,” Elena Santilli; A Flourishing Yin, Gender in China’s Medical History, 960-1665, Charlotte Furth; Dangerous Women, Victoria Cass.

To order books go to: https://www.amazon.com/s?k=pa+de+voe&i=stripbooks&crid=20Q1ZL6QA6K16&sprefix=pa+de+voe%

Chinese Lantern Festival 2024

The Chinese Lantern Festival (AKA Shangyuan Festival) is on the 15th day after Chinese New Year. This year that’s Saturday, February 24th. It marks the end of the new year celebrations. The lunar new year celebrations start with the beginning of the first new moon and end on the 15th –when it reaches its peak and is the first full moon. This is to highlight the beginning of a positive future, since it’s a time when winter abates and spring is on the horizon. Some consider this to be the most joyous of holidays.

Lanterns of different shapes and colors are hung in houses and out in the streets. Children and adults may walk the streets carrying lanterns. The lanterns may be round, square, of fish or other animal shapes. To make things even more fun, a lantern may have a riddle written on it and the person who guesses the riddle correctly gets a prize. The public festivities include parades with lion and dragon dances. The sound of fireworks can be heard everywhere.  

A favorite treat on this day are glutinous rice balls called yuanxiao or tangyuan. These round dumplings usually have a sweet black sesame, lotus paste, or red bean filling. Although any number of other fillings may be tried. Their round shape suggests something that is complete and whole and is used to symbolize a unified, strong family. Another popular food is an egg noodle known as the longevity noodle because of its length. Eating these noodles symbolizes enjoying a long life.

If you want to make lanterns there are several good DIY sites on the web. Making a lantern is also a good project to share with your child. Here are a few sites that will show you how to make fun, easy-to-do lanterns to celebrate this holiday.

DIY Lunar New Year lanterns:

https://www.youtube.com/watch?v=1rQ4ib7pSp4  A child demonstrates how to make lanterns.

https://www.youtube.com/watch?v=4gA0zE_7j2k   Shows 1 simple lantern.

https://www.youtube.com/watch?v=CeZKYGmuZn0   Extremely simple paper lantern.

https://www.youtube.com/watch?v=dSWcUKYrXyE   One level up from “Extremely simple paper lantern” above.

https://www.youtube.com/watch?v=-v12j1bQh9A   5 different ideas for lanterns.

photos are from depositphotos.com

https://www.amazon.com/Mei-hua-Trilogy-P-Voe-ebook/dp/B075SQ261G/

2024 The Year of the Wood Dragon

The Chinese lunar year is not only marked by one of the 12 animals found in the Chinese zodiac, but is also associated with one of the five elements or the five states of change: wood, fire, earth, metal, and water. Each element influences the zodiac year in a unique way. This year, 2024, is the year of the wood dragon. Therefore, the characteristics attributed to the wood element are added to those of the dragon.

Let’s see what this means.

When you think of wood, think also of a tree, perhaps a large oak tree. The tree has roots going deep into the earth, giving it stability and strength. It also has branches, which are always growing up and out. So, the wood element suggests strength, change, abundance, expansion, curiosity, opportunity, and creativity. Combine those attributes with the dragon’s attributes of dynamism, authority, and strength and the Year of the Wood Dragon will be one of change, growth, prosperity and success.

To make your 2024 even more successful, wear green because the color heightens the Wood Dragon year’s positive qualities and good fortune.

*photo from depositphotos.com

Book 3 in the Mei-hua trilogy https://www.amazon.com/dp/B019EQUV1S/

The Color RED in Chinese New Year

The color red is associated with fire—one of the five elements (metal, fire, water, wood and air). It is an auspicious color representing vitality, celebration, joy, luck, prosperity, and fertility. Who wouldn’t want their new year to start with such a positive and powerful color?

So, of course, it is the color most associated with celebrations, all celebrations. Its emphasis on prosperity includes fertility. Traditional Chinese weddings are fill with red—the bridge’s dress as well as the decorations.

Nevertheless, you do not want to write a congratulatory note using red ink for the couple’s names. Because, while red is a buoyant color, full of luck and prosperity for the future, it is not used to write people’s names. That’s considered rude and bad luck. There seems to be various possible reasons for this. There is the belief that the King of Hades had a book with everyone’s name in it—living and dead. And, he used red to mark through the names of people who were going to die. On earth, during the Imperial Period, convicted criminals who were to be executed also had their names highlighted in red. Plus, names on tombstones and ancestor tablets could be written in red. All of this association of red with dying made using red for names unlucky and inauspicious.

Except for being careful for using red with names, red is a wonderful, favorable, and auspicious color.  So, enjoy decorating with red and giving out red envelopes (with money inside for the recipient as a gift) this New Year holiday!

*photos from depositphotos.com

For an historical Chinese adventure/mystery read The Mei-hua Trilogy by P.A. De Voe

What is Chinese New Year?

Chinese New Year is a special festivity based on the lunar calendar not the solar calendar. It’s celebrated on the first moon of the lunisolar calendar and marks the beginning of spring. Therefore, Chinese New Year is sometimes also called the Lunar New Year or the Spring Festival.

Although here in the US, we typicaly call it Chinese New Year, there are other Asian countries that celebrate this time of the year. Taiwan, South Korea, Vietnam, Singapore, Malaysia, the Philippines, and Indonesia do, too. And, of course, it is a time of festivities across the globe—due to the widely spread Asian diaspora. While western nations celebrate the beginning of the solar New Year for one day, the lunar New Year is celebrated over the course of several days in Asia.

Typically, the Lunar New Year begins with the Spring Festival on the first new moon of the lunar calendar and goes through the Lantern Festival on the next full moon of the lunar month.  That means this year, 2024, people begin their festivities on February 10th and enjoy a holiday period through February 24th. This two-week period is especially important for family and friends to be together; people travel great distances to be home with their family and share in the New Year’s festivities.  

photo from Depositphotos

The Imperial Coroner

MOVIES: HISTORICAL CHINESE MYSTERIES

Chu Chu and An Jun Wang

If you’re looking for a mystery that’s challenging and doesn’t cheat by jumping to a conclusion that’s not supported by clues in the story, this is the series for you. The cases are complex from both the point of view of the underlying conspiracy and the clues left behind—notably also including the dead body.

#御赐小仵作 #TheImperialCoroner #TencentVideo

ENG SUB [The Imperial Coroner] EP01——Starring: Su Xiao Tong, Wang Zi Qi, Yang Ting Dong, Zhao Yao Ke, and Wang Yan Bin

YouTube link: https://www.youtube.com/watch?v=zrFYLbM5HDU&list=PLuidrAcAGAOO3BJx21z2D0Wg1mCxi_Up-

Premiered: 2021

Captions in English & Chinese

Set in the imperial capital of Chang’an during the Tang Dynasty

Chu Chu (Su Xiao Tong) is an aspiring coroner with keen observational and technical skills. Having grown up in a family of coroners, she has experienced the prejudice that comes from being from a coroner family but, nevertheless, is driven to be the best at applying her skills in order to bring justice to those who have died. Her medical findings are ingenious and logical. The audience is brought along through a combination of visual displays of Chu Chu’s medical observations and re-enactments of the crime by Chu Chu and the male protagonist An Jun Wang (Wang Zi Qi), the head of the office that oversees the Ministry of Justice, the Court of Judicial Review and the Office of the Imperial Censors.

These two work together in close consort with their three friends, each with their own highly developed skills, to solve the intricate cases, regardless of who is behind the crime.

The Imperial Coroner

The characters are well drawn and complex in their own right. None appears to be a cookie-cutter portrayal of an arch-type. Plus, they change and develop as individuals and as a cadre of friends through their experiences in searching for truth and impartial justice.  

The Imperial Coroner is a top of the line historical mystery with a beguiling and endearing cast of characters.

Vegetarian Baozis

FOOD: Making your own Chinese vegetarian, oil-free dishes

Baozis (steamed buns or dumplings) have been a popular food in China for hundreds of years. In the Mei-hua trilogy, it is Guei-lung’s favorite snack. In the trilogy, as is probably true today, the most popular baozis are meat filled. Usually stuffed with pork. However, it can also be vegetarian, as many who practice Buddhism or who have given up meat for various reasons would prefer.

Either way, baozis are not too difficult to make. The most difficult part probably is making the bun look elegant by closing the bun up with a series of pleats! You can see these pleats in the picture on the dumpling flour package below.

Here’s a recipe for a batch of vegetarian dumplings for you to try.

Dough:

I used a package of dumpling flour that I found at a local Asian market. I followed the directions for making the dough printed on the back of the package–except for omitting the oil recommended. This made 8 large buns.

If you don’t want to make your own dough, you can also buy a loaf of unbaked bread dough from your local grocery store. I’ve done this in the past, and it works just fine. Plus, it allows you to enjoy your own baozis if you’re short on time. There will be some differences in the final product, but not much.

Vegetarian filling:

660 grams finely chopped green veggies. I used bok choy

 60 grams finely chopped mushrooms.

I used rehydrated xianggu mushrooms. After rehydrating them, squeeze out all excess water or they will be too moist and make your buns sloppy.

   3 slices of ginger

   ½ tsp salt

1 ¼ tsp sugar

   1 Tbl soya sauce

   1 Tbl corn starch  

Prepare the filling:

Mix the salt, sugar, corn starch and soya sauce together in a small bowl.

Stir-fry the mushrooms and ginger for a few minutes in a non-stick pan, adding a Tablespoon of water as needed to keep the mushrooms from sticking.

Add the salt, sugar, corn starch and soya sauce mixture to the pan and blend.

Add the finely chopped green veggies and cook for several minutes. Until the greens wilt and are well mixed with the mushrooms.

Remove the 3 slices of ginger.

Put aside to cool.

Prepare the dough:

Roll your dough into a log shape and cut into 8 equal pieces. This will give you a large sized baozi. Shape each into a ball.

Flatten the balls into a disk shape 5-6 inches in diameter. The edges, which will be pulled up and together around the filling, should be thinner than the middle or the filling might break through the bottom.

Form the baozi:

Spoon a generous teaspoon of filling into the center of the disc. Pull the dough up over the filling and pinch together in pleat-like fashion completely enclosing the filling. Let the buns rest for 30 minutes.

To cook: Place the filled buns in a steamer (either seam side down or up). The buns may double in size, so leave a space between each one. Steam for 15 minutes. Remove the steamer from the heat and let it sit another 5 minutes before removing the lid.

To reheat leftover buns, microwave for 30 seconds or re-steam.

If you give this a try, let me know how it turned out for you.

Enjoy!

The Eight Immortals

RELIGION & THE SUPERNATURAL: Chinese supernatural beings

Immortals are beings who once lived as humans on earth, but now inhabit the upper stratum (sometimes called Heaven or celestial level). They have supernatural powers, can assume human shape, and are able to do anything people do—including eating and drinking.

From: Werner, E.T.C. (1922) Myths & Legends of China (Project Gutenberg)

The Eight Immortals were well-known figures by the Ming Dynasty, and remain important Taoist figures today. Even the number eight itself holds great symbolic significance. Specifically, it represents the stages and conditions of human life: age (young and old), status (low and high), fortune (poor and wealthy), and gender (male and female). The Immortals, therefore, include among their number men and women, young and old, rich and poor, simple and educated.

The Eight Immortals are:

Li Tie-guai, identified by his iron crutch and calabash (bottle gourd)

Lan Cai-he, the youngest of the eight immortals, perhaps mid-teens

He Xian-gu, the only female

Cao Guo-jiu, a mythological figure often seen with a paiban (clapper)

Lu Dong-bin, a real historical scholar and poet from the Tang Dynasty

Han Xiang-zi, identified by a dizi (Chinese flute)

Zhang Guo-lao, a real historical figure associated with old age

Zhong-li Quan, AKA Han Zong-li, often seen carrying a large fan

As with humans, these supernatural beings have frailties as well as strengths, and can both enjoy and abuse worldly delights. In Warned, the second story in the Mei-hua trilogy, the immortal Iron Crutch Li (Li Tie-guai) reveals his knowing, benevolent nature by descending to earth in order to warn Mei-hua. And yet he also enjoys his liquor a little too much—which is why he appears carrying a gourd filled with wine. Similarly, Lan Cai-he, who also comes to warn Mei-hua in Warned, holds castanets because he loves to sing and dance. In the story, Iron Crutch Li and Lan Cai-he come to help Mei-hua by alerting her to danger. At the same time, they do not solve her problems for her. That’s not their job.

While immortals and other spirits were believed to be able to  play powerful roles in the natural world of Ming China, they did not control human behavior or determine a person’s destiny. Instead, supernatural beings such as the Eight Immortals operated as additional, influential actors who needed to be watched for, guarded against, or listened to.

Can you identify each of the eight immortals in the picture above?

Did You Know

Did you know that for hundreds of years during the Imperial Period China’s magistrates embodied the entire judicial system in the area they served? That they were the crime investigator, prosecutor, judge, and jury?

Magistrates were appointed to their office and generally served for only three years before being moved on to another location. This short-term service was designed to avoid corruption. The idea was that in three years, the magistrates would not be able to become too closely aligned with the elite of the area. The emperor wanted his representatives to remain distinct and isolated from the people they served. This was because the magistrates had immense authority and power. A close relationship with local influential families could pressure the court to act more as a personal judicial arm for them and their interests versus the emperor and his government.

 

Another critical element in keeping the short-term magistrates from becoming closely aligned with the local elite was that sometimes magistrates would serve an area where they didn’t know one or more of the local languages. Chinese writing is not phonetic and, therefore, could be read by anyone, whether they spoke the dominate Chinese language or not.

 

What we think of as spoken Chinese, however, is not really one language. One language means those who speak it must be able to understand each other—their words are mutually intelligible. Spoken Chinese can differ significantly from region to region. The language spoken in one area may be not understood by their neighboring area. Think of the difference between Spanish and Italian. Both are Romance languages but they are quite distinct from each other. They are mutually unintelligible.

 

This was the situation Chinese magistrates faced. They had a three-year appointment with heavy responsibilities and were often placed in an district where they could not understand the local language(s).

 

Such a situation meant that, in spite of the emperor’s desire to keep the court separate from the local power sources, the day-to-day running of the judicial system depended on local people to fill the positions needed: the jailer, runners, police, scribes, etc. Magistrates sat as an outsider on a pyramid of staff that they had not chosen, did not know, and could not necessarily trust.

 

That is why magistrates often brought their own court reporters. The court reporter played a key role in making sure the documents were accurate and not manipulated in one way or another. The magistrates also often brought a couple of his own personal guards. Men he chose himself, who depended solely on him, and who, therefore, he could trust.

 

I invite you to come and explore the tensions and challenges faced by a magistrate, Judge Lu, as he brings justice to those under his protection—in spite of countervailing forces which could destroy him at any moment. You’ll find a collection of these stories in Judge Lu’s Case Files, Stories of Crime & Mystery in Imperial China. Available as e-book, paperback, or hardback.